Is it too late to share my favorite pieces of art released in 2018?
How long has it been since Gerard Butler starred in a movie as quiet as The Vanishing?
Time for two more imperfect comparisons between artists across space, time, and mediums.
Time to try my hand at a New Yorker-style capsule review.
One of my favorite non-English-language films of the year deserves not one, but TWO posts dedicated solely to it.
Damn near every year brings yet another installment in the age-old critical debate regarding how to define a horror movie.
Nobody should be fooled by Nobody’s Fool’s marketing campaign.
Mid90s falls in the unfortunate middle ground between what an artist thinks will be cinematically cool, and what’s actually cinematic, and cinematically well-executed.
Below are some imperfect comparisons between artists across space, time, and mediums.
Given renewed tensions between America and Russia, I’ve been waiting for the inevitable revival of the Cold War thrillers that dominated multiplexes throughout the latter half of the 20th century.